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Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Head tilted slightly upward and turned toward the landing point, with wet hair whipping backward and strands matted against the forehead by the force of the motio
Кирилл@vechkasov

Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Head tilted slightly upward and turned toward the landing point, with wet hair whipping backward and strands matted against the forehead by the force of the motio

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Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head tilted upward slightly, hair strands whipping back away from the face, water droplets spraying from the locks in the wind. facing forward toward the landing, yaw@vechkasov
Images 1-2 are Subject A (A) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject A — Head, not from these selfies. Do not copy clothing, jewellery, or background from Subject A selfies. Images 3-4 are Subject B (B) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject B — Head, not from these selfies. Do not copy clothing from Subject B selfies. Never swap or blend the two faces. ### Style Create the image in this visual style: color photograph. Do not switch@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Head angled slightly toward the direction of travel, chin tucked against the wind with hair whipping sharply away from the face. facing three-quarter, yaw three-q@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head The subject peeks out from the darkness, head tilted with hair strands swinging from the quick movement. facing three-quarter, yaw towards door opening, pitch lev@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Head tilted forward and slightly toward the lens, hair saturated and whipping back in the wind of the jump with droplets flying from the strands. facing three-qua@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Tilted back and slightly angled to the side as if carried by the momentum, with hair whipping upward and away from the face in messy, dynamic strands. facing upwa@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head The head is tilted slightly back and turned toward the leading arm, strands of hair swinging with the momentum of the spin. facing three-quarter, yaw turned towar@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head The head is thrown back sharply toward the sky in a moment of pure musical abandon, showing a strong profile view. facing upward, yaw three-quarter profile, pitch@vechkasov
Images 1-2 are Subject A (A) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject A — Head, not from these selfies. Do not copy clothing, jewellery, or background from Subject A selfies. Images 3-4 are Subject B (B) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject B — Head, not from these selfies. Do not copy clothing from Subject B selfies. Never swap or blend the two faces. ### Style Create the image in this visual style: color photograph. Do not switch@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Head tilted back and slightly turned, hair whipping violently in the gale across the face, collar of the shirt fluttering against the neck. facing three-quarters@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Head tilted back towards the sky with strands swinging in the movement, facing upward into the falling confetti. facing upward, yaw slight turn, pitch up, roll ne@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head tilted slightly downward into the wind, with hair strands whipping sharply across the face in the high-altitude gusts. facing forward, yaw three-quarter, pitch sl@vechkasov
Images 1-2 are Subject A (A) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject A — Head, not from these selfies. Do not copy clothing, jewellery, or background from Subject A selfies. Images 3-4 are Subject B (B) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject B — Head, not from these selfies. Do not copy clothing from Subject B selfies. Never swap or blend the two faces. ### Style Create the image in this visual style: color photograph. Do not switch@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head head tilted back at a sharp angle, hair whipping wildly in the air due to the momentum of the leap facing upward, yaw centered, pitch up, roll slight tilt; lids w@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head The head is tilted back in a raw expression of victory, with strands of hair swinging wildly from the explosive movement. facing forward, yaw slight three-quarter@vechkasov
Images 1-2 are Subject A (A) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject A — Head, not from these selfies. Do not copy clothing, jewellery, or background from Subject A selfies. Images 3-4 are Subject B (B) face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from ### Subject B — Head, not from these selfies. Do not copy clothing from Subject B selfies. Never swap or blend the two faces. ### Style Create the image in this visual style: color photograph. Do not switch@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Head is tilted back toward the ceiling, hair whipping away from the face due to the upward momentum. facing upward, yaw center, pitch back, roll none; lids narrow@vechkasov
Use the uploaded reference image(s) for face identity only: preserve exact facial structure and features. Head turn, gaze, and expression come from the Head section, not from the selfies. Do not copy clothing, jewellery, or background from the selfies. ### Style Create the image in this visual style: color photograph. Do not switch to a different medium. ### Body Profile body (not from the analyzed photograph): {SUBJECT}. ### Head Tilted back and slightly turned to catch the profile, mouth wide open in a jubilant shout, strands of hair swinging vigorously in the fresh night wind. facing out@vechkasov